Lévy Gorvy Dayan is thrilled to announce an exhibition of new paintings by Danielle Orchard in conversation with sculptures by Aristide Maillol (1861–1944), on the Fifth Floor of 19 East 64th Street in New York. Staging a dialogue between painting and sculpture that is beyond time, the exhibition will represent visions of form, volume, and line explored through the female figure.

Hashimoto Contemporary is pleased to present The Garden is Open, a solo exhibition by Brooklyn-based artist Jocelyn Tsaih. The show will be Tsaih’s inaugural solo exhibition at Hashimoto Contemporary, in which she considers the idea of sanctuary and refuge. Largely inspired by community gardens, parks and botanical gardens found in New York City and the Bay Area, The Garden is Open reflects on Tsaih’s sense of comfort when surrounded by plant-life and color, as well as their direct impact on her personal state of being.

There isn’t a child in America, probably the wider world, that doesn’t have an experience with a Mattel toy. Hot Wheels, Barbie, Masters of the Universe, American Girl, Matchbox cars… I mean, UNO is a Mattel card game. Mattel and the visual identities they have created are weaved into the fabric of childhood and often adulthood. As we delve deeper into the universe of Mattel, we see a company that is keenly aware of its place in the shifting landscape of culture and art. By harnessing the power of nostalgia while embracing bold, new designs, Mattel has carved out a remarkable niche within the art world and the hearts of collectors. In this way, what began as simple toys has…

In one of the most anticipated shows of the winter, Ricco/Maresca is showing Henry Darger: Utopia / Dystopia at their NYC space. Any presentation of Darger’s work generates attention, especially from our readership over the years, so definitely wanted to get this on the radar of everyone here. 

It seemed a like a totem of survival, assertive and singular, a sequoia after a forest fire. Mark Whalen, who lost his home in the Altadena fire that ravaged the eastern portion of Los Angeles in early 2025, and his body of work, Lighthouse, have the context of strength and fortitude, but also something quite personal and reflective. The centerpiece 16-foot sculpture, created as a commission for Red Car and part of a group of sculptures shown as part of a presentation with Harper’s for Frieze Week in LA, shows what Whalen has as a storyteller: the stacking of pieces of a thought, they way a whole comes together with the disparate pieces of a puzzle to make do from.…

There is much to be said – and much being said – about the conditions and the state of nature at a moment in history where multiple species face extinction, where lush sceneries turn into wastelands and ice withdraws to its fluid state with unforeseen consequences. This tale of steady, catastrophic evolution seems to hold no place or time for meditation, when action appears to be the only solution.