We like DEVO, you like DEVO. And this July 2025, 111 Minna wants you to hang out with DEVO. In celebration of DEVO’s 50th anniversary, members of the band will appear and present their fine art photography: a curated, strictly limited-edition portfolio of five rare or never-before-seen DEVO images by world-class lens operators: Neal Preston, Ebet Roberts, Allan Tannenbaum and Richard Alden Peterson. The prints are now available at 111 Minna Gallery.

We are so happy that our friends and past collaborators in Mexico City have opened Memories of the Underground at their MAIA, CDMX space that celebrates a major turning point in their history as well as street and emerging art as well. In that 2005—2010 window, so much happened to bring new artists to the forefront of contemporary art, whether David Choe, Herbert Baglione, SANER, Miss Van, and the MAIA team were right there bringing Mexico City into the conversation. Read their press release below! 

DIMIN is pleased to present Hello, Goodbye, a solo exhibition by Michelle Im exploring identity, diaspora, and the duality of cultural belonging through a new body of ceramic sculpture.

Spoke Art are thrilled to present THE BIG SHOW, a ten year retrospective exhibition from prolific artist, author and video game art director, Scott Campbell, better known simply as Scott C. THE BIG SHOW is Scott C.’s first exhibition in New York since 2015 and includes artwork from a decade’s worth of projects, books, video games, movies and more, all in the artist’s unmistakable style that has garnered admiration far beyond the art world. Scott C.’s skill with watercolors is a testament to his talent, distilling beloved characters and creations while never missing the details that make them unforgettable.

Author and curator Dan Nadel is a hero of mine and a bit of a renaissance man. He was the publisher of the brilliant and influential PictureBox for decades and was a champion of much of what Juxtapoz was founded on but took it to a whole new level of intricate historical research and creating a voice of record for so many artists who time wasn’t given them a needle to etch their name in the vinyl, so to speak. We are talking comic book legends, graphic novelists, outsider artists who might have created some of the most recognizable art of the 20th century that the history books hadn’t given the full retrospective for. And Dan was going to do…

A few months back, we sat down with Mark Whalen on Radio Juxtapoz to talk about making sculpture and his upcoming solo show, Night Lights, at Harper’s. The show opened this weekend, featuring Whalen’s eclectic works, works of glass, aluminum, bronze, and marble within these freestanding and wall-hanging sculptures. As the gallery notes, “Whalen captures the complexities of human emotion across seven heads juxtaposed with assorted materials and form,” and much of what Whalen told me in our podcast was the absurdity of life and how sculpture should be, and can be, a vehicle to show this. Listen to the conversation below.—Evan Pricco

Shepard Fairey is dropping a new print today, Thursday, May 15 at 10am PST, with“DEI-TY” via ObeyGiant. The 2-colorway edition “critiques the dismantling of diversity, equity, and inclusion efforts in the U.S., directly referencing the Trump-era rollback of DEI programs. Fairey’s classic iconography, paired with this timely political message, feels like a continuation of his long-standing legacy of using art as protest.” 

Stolen Heirlooms is an exhibition by Japanese-Canadian artist Kellen Hatanaka that honours the legacy of his family’s experiences of incarceration during WWII. Recreating possessions lost to this injustice out of paper, wire, and washi tape, Hatanaka reconciles with the complicated and nuanced emotions communities displaced through loss experience including anger, unease and grief.

Entrance is excited to present Vessels of Experience, new sculpture by Pat McCarthy, his second exhibition at the gallery following Nik Nak’s City Cart in 2019, following years of collaboration with Entrance.

Lévy Gorvy Dayan is thrilled to announce an exhibition of new paintings by Danielle Orchard in conversation with sculptures by Aristide Maillol (1861–1944), on the Fifth Floor of 19 East 64th Street in New York. Staging a dialogue between painting and sculpture that is beyond time, the exhibition will represent visions of form, volume, and line explored through the female figure.